翻訳と辞書
Words near each other
・ Eduardo Angeloz
・ Eduardo Anguita
・ Eduardo Antônio Machado Teixeira
・ Eduardo Arancibia
・ Eduardo Aranda
・ Eduardo Araújo
・ Eduardo Araújo Moreira
・ Eduardo Arbide
・ Eduardo Arellano Elías
・ Eduardo Arellano Félix
・ Eduardo Arias
・ Eduardo Armella
・ Eduardo Armstrong
・ Eduardo Arnold
・ Eduardo Arnosi
Eduardo Arolas
・ Eduardo Arozamena Medal
・ Eduardo Arranz-Bravo
・ Eduardo Arredondo
・ Eduardo Arriola
・ Eduardo Arroyo
・ Eduardo Arroz
・ Eduardo Arzt
・ Eduardo Asquerino
・ Eduardo Astengo
・ Eduardo Augusto Cameselle Machado
・ Eduardo Auyón
・ Eduardo Avaroa Andean Fauna National Reserve
・ Eduardo Avelino Magaña
・ Eduardo Ayala


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Eduardo Arolas : ウィキペディア英語版
Eduardo Arolas

Eduardo Arolas (February 24, 1892 – September 29, 1924) was an Argentine tango Bandoneon player, leader and composer.
Arolas first learned to play the guitar before learning the bandoneon which became his instrument of choice. His nickname was ''El Tigre del bandoneón'' (the tiger of the bandoneon).
Arolas composed his first tango in 1909 before he could even read or write music. He went on to play with such early masters as Agustín Bardi and Roberto Firpo.
In 1917 Arolas moved to Montevideo where he settled, he played a number of times at the Teatro Casino. From 1920 he resided mainly in Paris where he died alone and alcoholic in 1924.
==Legacy==

Arolas is regarded as one of the early masters that helped to define the future of tango music in Argentina. He was avant-garde in his composition and often utilised unconventional instruments such as the Saxophone violoncello and the banjo.
His most famous works include Lágrimas, La cachila, El Marne and Viborita.〔https://tango.info/works/LorenArola〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Eduardo Arolas」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.